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CHRISTINE HILL


1968 Born in Binghamton, New York
1991 Bachelor of Fine Arts, Maryland Institute, College of Art, Baltimore, MD
1991-1999 Residence in Berlin, Germany
Lives and works in Brooklyn, New York and Berlin, Germany


SOLO EXHIBITIONS

2008
Revolution Fleamarket. Galerie EIGEN + ART, Berlin. March.
Museum of Contemporary Art, Zagreb. September.
Ronald Feldman Fine Arts, New York. October.

2007
- ifa-Galerie Berlin, Christine Hill - Volksboutique Official Template, November 2
January 27 2008

2006
Galerie EIGEN+ART, Berlin. Keep Shop. May 20 – June 24.
NGBK/U2 Alexanderplatz Commission. September 2006

2005
Times Square Alliance, New York, NY. A Consumer's Guide to Times Square Advertising.
Commissioned by Creative Time, Inc. January 19 - April 21.

2003
Museum of Contemporary Art, Cleveland, OH. Christine Hill: Pilot: Cleveland. February 21 — May 4.
Ronald Feldman Fine Arts, New York, NY, Home Office. October 11 – November 18.
Galerie EIGEN+ART, Berlin. The Volksboutique Style Manual. September 13 – October 25.

2002
Institute of Contemporary Art, Leipzig, Germany, Christine Hill: Volksboutique Organizational Ventures, May – June. (catalogue)

2001
Kunstverein Wolfsburg, Wolfsburg, Germany, Christine Hill: Volksboutique Organizational Ventures, May 18 — July 31. (catalogue)
Migros Museum, Zurich, Switzerland, Christine Hill: Volksboutique Organizational Ventures, November 9 — January 13, 2002. (catalogue)

2000
Galerie EIGEN+ART, Berlin, Germany, Back Catalog, January 22 — February 26.
Ronald Feldman Fine Arts, New York, NY, Pilot: The Invention, Presentation, and Filming of a Late Night Television Talk Show, September 7 — October 14.

1999
Deitch Projects, New York, NY and The Public Art Fund of New York City, Tourguide?, June 19 — September 30.

1998
Artspace 1 %, Copenhagen, Denmark, Volksboutique Fashion Show Template. 1995
Galerie EIGEN+ART, Berlin, Germany, Christine Hill.
KUNST-WERKE BERLIN, Germany, Christine Hill: Selective Memory. (catalogue)

 

SELECTED GROUP EXHIBITIONS

2008
- Sommer bei EIGEN + ART, Galerie EIGEN + ART Berlin
- The Contemporary Museum. Cottage Industry. Curated by Kristin Chambers. Baltimore, MD.

2007
- Arsenale. Think with the Senses – Feel with the Mind. Art in the Present Tnese. Venice Biennale. Arsenale. Venice, Italy
- The Contemporary. Cottage Industry. Curated by Kristin Chambers. Baltimore, MD.
- Blanton Museum of Art/ The University of Texas. Transactions. Austin, Texas.

2006
Galerie EIGEN+ART. Landscape. Berlin, Germany.
Katonah Museum of Art. Case Studies: Art in a Valise. Katonah, NY.

2005
MassMoCA. Trade Show. Curated by Rebecca Uchill. North Adams, MA.
Julia Friedman Gallery. The Gift. Curated by Ingrid Chu. New York, NY.
Galerie EIGEN+ART. Portrait. Berlin, Germany.
Galerie Arsenal, Bialystock, Poland. Kunstraum Deutschland. Travel to:
Bucharest, Romania; New Zealand.

2004
Brooklyn Museum of Art. Open House: Working in Brooklyn. Brooklyn, NY. April 16 — August 15.
PR04. Puerto Rico Bi-annual Exhibition. The Symposium. A project by Pablo Helguera. San Juan, Puerto Rico. June.
The Manege Central Exhibition Hall. Kunstraum Deutschland. St. Petersburg, Russia. April 23 — May 16. Travel to: Gallery of Art Kaliningrad, Kaliningrad, Russia; Nationalmuseum Lemberg, Lemberg, Ukraine; Kirgisisches National Museum, Bishkek, Kirgisien; Gebietsmuseum für bildende Kunst, Karaganda, Kasachstan
Weatherspoon Art Museum. Ad-Hoc. Initiated by Michael Rakowitz as part of Borne of Necessity. Chapel Hill, SC January 18 — April 11

2003
Ronald Feldman Fine Arts. American Dream. February 22 — April 5.
Institute of Contemporary Art, Leipzig. Autobiography. June 22 — August 24.
center for contemporary art, Kiew, Ukraine. Kunstraum Deutschland. Travel to:
Albergo delle Povere, Palermo, Italy; OPERA PAESE, Rome, Italy.

2002
Pleasant Street Board School, Liverpool, England, International 2002, Liverpool Biennial, (commission courtesy The Henry Moore Foundation), September 14 – November 24.
San Francisco Art Institute, Walter and McBean Galleries,
San Francisco, CA, Touch: Relational Art from the 1990s to Now,
October 18 — December 14, 2002.
De Zonnehof, centrum voor moderne kunst, Amersfoort, Netherlands, Kunstraum Deutschland, September 14 – October 27. Travel to: Filatoio, Caraglio, Italy,
November 24 – March 9, 2003.

2001
Kunsthalle Vienna, Vienna, Austria, Tele (Visions), curated by Joshua Decter, October 18 — January 6, 2002. (catalogue)
CAN, Centre d’art de Neuchatel, Neuchatel, Switzerland, After-Effect, February 10 — March 31.
Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy, The Republics of Art: Germany, February 24 — May 13. (catalogue)
M Art In(n), Helsingborg, Sweden, M Art In(n), March 24 — April 24.
South London Gallery, London, England, Urban Nomads, August 2 — September 2. (catalogue)
ICA Sofia, Sofia, Bulgaria. Kunstraum Deutschland. Travel to: Galerie der Mimar-Sinan University Istanbul, Istanbul, Turkey.

2000
Kunsthalle Hamburg, Hamburg, Germany, Moving/In, October 20 — January 21, 2001. (catalogue)
Museum Folkwang, Essen, Germany, Children of Berlin, February 11 — March 19.
Bard College, Annandale-on-Hudson, NY, A World All Too Familiar, April 30 — May 28. (catalogue)
Museum of Contemporary Art, Baltimore, MD, Snapshot.
Expo 2000, Hannover, Germany, Re-Public, August 12 — August 26. Travel to: Grazer Kunstverein, Graz, Austria, October 7 — 18. (catalogue)
University of Tel Aviv Art Gallery, Tel Aviv, Israel, Kunstraum Deutschland. Travel to: Pinakothek of the City of Athens, Athens, Greece.
Kunstverein Wolfsburg, Germany, The Unhomely Home. (catalogue)

1999
Von der Heydt-Museum, Wuppertal, Germany,Talk.Show, March 28 — May 24, and Haus der Kunst, Munich, Germany, August 10 — September 1, 2000. (catalogue)
Ronald Feldman Fine Arts, New York, NY, Sampling, May 15 — July 9.
P.S.1 Contemporary Art Center, New York, NY, Children of Berlin, July 11 — February 1, 2000.
Navin Gallery, Bangkok, Thailand, Bangkok 1 %.
Deutsche Guggenheim, Berlin, Germany, Kunst auf dem Laufsteig.

1998
Watari Museum of Contemporary Art, Toyko, Japan, Shall we go to the living room? (catalogue)
P.S. 1 Contemporary Art Center, New York, NY, Wish You Luck, March 15 — April 19. (catalogue)
Berlin Biennale, Berlin, Germany, September 30 — March 1, 1999. (catalogue)

1997
documenta X, Kassel, Germany, June 21 — September 28. (catalogue)

1996
capc Musée d’art contemporain, Bordeaux, France, Traffic. (catalogue)
Museum Boymans-van Beunigen, Rotterdam, The Netherlands, Manifesta 1. (catalogue)
Schlossmuseum Weimar, Weimar, Germany, nach Weimar. (catalogue)
Arken Museum of Modern Art, Copenhagen, Denmark, The Scream. (catalogue)
Basilico Fine Arts, Summer Show, New York, NY.

1995
Art Cologne, Trailer (curated by B. Steiner).
Galerie EIGEN+ART, Berlin, Germany, Mama & Papa, April 1 — June 5.
Venice Biennial, Venice, Italy, Club Berlin.
Serpentine Gallery, London, England, Take Me (I’m Yours). (catalogue)

1994
Kunst-Raum Wien, Vienna, Austria, Lost Paradise. (catalogue)
EIGEN+ART, London, England.
Medien Biennale, Leipzig, Germany. (catalogue)
IAS, London, England, Rock My World. (catalogue)
Amsterdam Hilton Hotel, Amsterdam, The Netherlands, Art Hotel. (catalogue)

1993
Galerie Daniel Buchholz, Cologne, Germany, Unfair 93.
Audio Visual Experimental Festival, Arnhem, The Netherlands. (catalogue)
David Zwirner Gallery, New York, NY, Water Bar.
EIGEN+ART, New York, NY.

1992
Kunstfreude, Berlin, Germany.
Kunst Kochen in der Invalidenstrasse 31, Berlin, Germany. (catalogue)
Nachtbogen 92, Berlin, Germany.

1991
Kunsthaus Tacheles, Berlin, Germany Hinter den Museen.
Museum of Contemporary Art, Baltimore, A Day Without Art.


ORGANIZATIONAL VENTURES/OTHER PROJECTS

2006
Keep Shop Vendor Archive (Berlin Edition)
Compiled together with Catherine Griffiths. (Organizational Venture)
The Comprehensive Report. Publication and web archive commemorating the
10 Year Anniversary of Volksboutique (September 22, 1996 — September 22, 2006)
The Portable Office Archive (Weimar Edition), together with students at Bauhaus University, Weimar. (Organizational Venture)
Establishment of the Volksboutique Outpost Division.
Workspace in Prenzlauer Berg, Berlin.
2005
A Consumer’s Guide To Times Square, in collaboration with Creative Time and Giampetro + Smith, NYC. (Organizational Venture). Print Project. www.creativetime.org
Casino, together with students at Bauhaus University, Weimar. (Organizational Venture)
Everyday Inventory, together with Ursula Damm and students at Bauhaus University, Weimar. (Organizational Venture).
2004
Co-founding of the Interstitial Library, together with Shelley Jackson.
www.interstitiallibrary.com
Debut presentation at the 5th International Summer Academy at Künstlerhaus Mousonturm in Frankfurt, Germany. (Organizational Venture)
Ongoing collaboration with David Levine and CiNE.
2003
Establishment of the Volksboutique Products Division.
Workspace, production, and archive facility in Greenpoint, Brooklyn, NY.
(Organizational Venture)
www.volksboutique.org. Website Launch.
Ongoing collaboration with Mark Wagner.
2002
The Volksboutique Accounting Archive Prototype.
(Organizational Venture), Liverpool, UK.
Collaborative liquidation and inventorying of Joseph Meyers Stationer, together with proprietor Eugene Frank. (Organizational Venture)
Release of Test’s CD ‘Milk in my Language’ (Auditorium Records). www.auditorium.dk
Ongoing Collaboration with Booklyn Artists Alliance.
www.booklyn.org
2001
The Volksboutique Sales Pitch, Spielart Theaterbiennale, Munich, Germany. (Organizational Venture)
The Volksboutique Training Video, produced with Kunstverein Wolfsburg incollaboration with Lillevän. (Organizational Venture)
The Pilot Trailer. 7 minute video. Produced by MOCA Cleveland. Editor: Ross Brouse.
The Volksboutique Reference Library, produced by Volksboutique in collaboration with ICA Leipzig, Migros Museum Zurich, and Kunstverein Wolfsburg. A 10-volume reference manual, hand-bound.
Ongoing collaboration with the music group ‘Test’ of Copenhagen. www.testpages.com
2000
The Portable Office, Kunstverein Wolfsburg, Wolfsburg, Germany. (Organizational Venture)
The Volksboutique Sales Pitch, Expo 2000, Hannover, Germany. (Organizational Venture)
The Volksboutique Handbag, produced together with Kunsthalle Hamburg 2001. (Organizational Venture)
1999
The Soapbox Lecture (Organizational Venture). Lecture tour with visuals by Lillevän.
Tourguide? A New York City Walking Tour. (Organizational Venture).
Improv Studies with Upright Citizens Brigade of New York.
1998
Volksboutique Office of Foreign Affairs, artist-in-residence at
P.S. 1 Contemporary Art Center, New York, NY (Organizational Venture)
Ongoing collaboration with videographer Lillevän www.lillevan.com.
Extroverse Demo, recorded in Berlin.
Ongoing Collaboration with Dave Herman (DHLABS/City Reliquary).
1997
Volksboutique Franchise, opened for documenta X, Kassel, Germany, June 21 — September 28. (Organizational Venture)
Extroverse, formed the music collective with S. Büttrich and F. Rünzel, Berlin, Germany.
1996-97
Volksboutique, A Second Hand Store/Work Environment. Invalidenstrasse 118, Berlin, Germany, September 26- September 22.
1995
Group Meetings, Galerie EIGEN+ART, Berlin, Germany. A series of themed, performative town-hall meetings.
1994-96
Bindemittel, Music Group, Vocalist and Co-founder. Self-titled CD on Warner Music Germany/Königshaus, Recorded at Black Box Studios, France, Produced by Bindemittel and Peter Deimel (Performances, TV work, video work and tours of Germany).

Publications by Christine Hill / Volksboutique
- Minutes. The Volksboutique Weekly Diary 2006-2007. Presented in conjunction with the 52nd Venice Biennale. Published by Hatje Cantz. 2007
- Inventory. The Work of Christine Hill and Volksboutique. Published by Hatje Cantz. 2003
- The Pilot Handbook. Published by MOCA Cleveland. Fall 2003. Texts by John Hodgman and Christine Hill.
- The Volksboutique Handbag Use Manual. Published by Volksboutique.
October 2000. Edition of 250. Design: Maria Tierney/Artville.
- The Portable Office. Descriptive pamphlet. Published by Volksboutique. May 2000.
- Tourguide? Informative Brochure.
Published by Artslut with Public Art Fund of New York in collaboration with Deitch Projects. May 1999. Photography by B. Stirton, J. Laverdiere, R. Vinci. Design: Evan Gaffney.
- Stereotype Promotional Brochure. Published by Artslut in cooperation with Watari Museum of Contemporary Art, Tokyo, Japan. September 1998. Design: Evan Gaffney.
- Volksboutique Guide. Published by Volksboutique in conjunction with documenta X. June 1997. 96 pages. Introduction by Kim Levin. Photography by T. Seufert, U. Walter, F. Delpech, C. Mastin, T. Mulcaire. Design: Adworx/ Kai Wermer.
- Work. Published by Artslut with Galerie EIGEN+ART und KUNST-WERKE Berlin. April 1995. 24 pages. Limited edition. Photography by U. Walter and L. Pobjoy.

Books and Exhibition Catalogs

- Volksboutique Official Template. Kunstraum Deutschland des Instituts für Auslandsbeziehungen e.V. Berlin 2007.
- werkstück berlin. Künstlerateliers Berlin. Stiftung Brandenburger Tor. Berlin, 2007.
- Transactions. Blanton Museum of Art/ The University of Texas. Austin, Texas, 2007.
- think with the senses feel with the mind. art in the present tense. La Biennale di Venezia, Italy, 2007.
- pages in the wind. a reader. texts chosen by the artists of the 52nd International Art Exhibition. La Biennale di Venezia, Italy, 2007.
- U2 Alexanderplatz. Berlin, Germany, 2006.
- Art Hotel. Amsterdam, The Netherlands, 1994.
- Autobiography. Introduction by Barbara Steiner and Jun Yang. Published by Thames and Hudson, London, 2004.
- Berlin/Berlin. Berlin Biennale, Berlin, Germany: Ostfildern, 1998.
- Identity: Trademarks, Logotypes and Symbols. Edited by Lena Hoger & Ingalill Holmberg. Published by Swedish Nationalmuseum & Raster Förlag, Stockholm, 2002.
- Interarchive: Archival Practices and Sites in the Contemporary Art Field. Published by Verlag der Buchhandlung Walther König, Köln, 2002.
- International 2002. Liverpool Biennial: Liverpool, United Kingdom, 2002.
- Kunstraum Deutschland. Tel Aviv, Israel: Tel Aviv University Art Gallery, 2000.
- Lost Paradise. Vienna, Austria: Kunst-Raum Wien. Published by Barbara Steiner, 1994.
- Manifesta 1. Rotterdam, The Netherlands: Museum Boijmans-van-
Beuningen, 1996.
- Minima Media. Leipzig, Germany: MedienBiennale Leipzig. 1994.
- Nach Weimar. Weimar, Germany: Schlossmuseum Weimar, 1996.
- Relational Aesthetics. Dijon, France: Les Presses du Reel. Published by Nicolas Bourriaud, 1998.
- Re-Public. Hannover, Germany and Graz, Austria: Expo 2000 and Steirischer Herbst, 2000.
- Rock My World. London, England: IAS, 1994.
- The Book. Kassel, Germany: documenta X, Ostfildern, 1997.
- The Scream. Copenhagen, Denmark: Arken Museum of Modern Art, 1996.
- The Short Guide. Kassel, Germany: documenta X, Ostfildern, 1997.
- Take Me [I'm Yours]. London, England: Serpentine Gallery, 1995.
- Talk.Show. Munich, Germany: Haus der Kunst München/ Von der Heydt-Museum, Wuppertal, 1999.
- Tele[Visions]. Vienna, Austria: Kunsthalle Wien. Curated by Joshua Decter. 2001.
- Traffic. Bordeaux, France: capc Musée d'art contemporain. Curated by Nicolas Bourriaud, 1996.
- Unfair 93. Cologne, Germany: Galerie Daniel Buchholz. Curated by Carsten Höller/ Lothar Hempel, 1993.
- The Unhomely Home. Wolfsburg, Germany: Kunstverein Wolfsburg, 2000.


Lectures/Seminars
ACC Gallery, Weimar, Germany
The Americas Society. New York, NY
Bard College, Annandale-on-Hudson, NY
Bauhaus University, Weimar, Germany
Bonner Kunstverein, Germany
Capc Musee d’art Contemporain, Bordeaux, France
California College of the Arts, San Francisco, CA
Centro Nacional de las Artes, Mexico City, Mexico
The Cleveland Art Institute, Cleveland, OH
Columbia University, New York, NY
Cooper Union School of Art, New York, NY
European College of Liberal Arts, Berlin, Germany
EXPO 2000, Hannover, Germany
Galapagos Art Space. Brooklyn, NY
Galerie EIGEN+ART, Berlin, Germany
Galerie fuer zeitgenoessische Kunst, Leipzig, Germany
The Guggenheim Museum, New York, NY
Halle für Kunst Lüneburg, Lüneburg, Germany
The Hamburger Kunsthalle, Hamburg, Germany
Haus der Kunst, München, Germany
Hochschule für Kunst, Weimar, Germany
ICA Sofia, Sofia, Bulgaria
Illinois State University, Normal, IL
Karl Ernst Osthaus Museum, Hagen, Germany
Kuenstlerhaus Mousonturm, Frankfurt, Germany
Kunsthalle Nuremburg, Nuremburg, Germany
Kunst-Raum, Wien, Austria
KUNST-WERKE, Berlin, Germany
LandesMuseum, Weimar, Germany
Maryland Institute, College of Art, Baltimore, MD
MedienBiennale, Leipzig, Germany
Migros Museum, Zürich, Switzerland
New York University, New York, NY
Rhode Island School of Design, Providence, RI
The San Francisco Art Institute, San Francisco, CA
Schloss Solitude, Stuttgart, Germany
South London Gallery, London, England
Staedelschule, Frankfurt, Germany
The Royal Academy of Copenhagen, Copenhagen, Denmark
University of Florida, Gainesville, FL
University of Illinois at Chicago, Chicago, IL
Wolfsburger Kunstverein, Wolfsburg, Germany
Württembergischer Kunstverein, Stuttgart, Germany

AWARDS
Berlin Pool Fellowship Award, 1996
P.S. 1 Contemporary Art Center, New York Artist Residency Award, 1997
Public Art Fund of New York Project Award, 1999
Bickford Teaching Award, 2002
AIGA "50 Books/50 Covers", 2005
PUBLIC COLLECTIONS
The Museum of Modern Art, New York

 

Public collections
The Museum of Modern Art, New York
Galerie für zeitgenössische Kunst, Leipzig
Institut für Auslandsbeziehungen, Berlin
Sachsen LB, Leipzig
The Israel Museum, Jerusalem

 

Press
2008
- Schnippenkoetter, Beatrix: Christine Hill, Tagesspiegel, March 23, 2008, p. S3
- Westcott, James: Interview with Christine Hill at the Venice Biennale, Juni 2007, www.artreview.com (audio)

2007
- Anonymous: „La Biennale di Venezia“, artinculture, 7/2007, p. 93
- Interview with Christine Hill, http://www.we-make-money-not-art.com/archives/009619.php, July 4, 2007
- Brandt, Gerda Harda: „Sommer-Ausstellungen. Festival der Farben“, GO Sixt, No. 5, Summer 2007, p. 88-92
- Lacayo, Richard: „Over and Out: Christine Hill“, Time Magazine, June 14, 2007
- Wahjudi, Claudia: „Zwei perfekte Neurosen“, zitty Berlin, Jubiläumsheft 1977 – 2007, p. 56-57
- Altman, Anna: „Keep Shop Vendor Archive“, NY Arts Magazine, Fall 2006.
- Sholis, Brian: „Mid Drift“, Artforum.com, March 2006.
- „What’s On“, The Art Newspaper no. 169, May 2006, p. 11.

2006
- Wendland, Johannes: „Installation“, Zitty, 12/2006, S.85
- Herold, Thea: „Archive des Alltags“, Der Tagesspiegel, 27. Mai, S.26

2005
- “Art Listings.” Time Out New York no. 485, January 13-19, 2005, p. 63.
- Baker, R.C. “Square Biz.” NY Arts, January 12-18, 2005, p. 88.
- Cashill, Robert. "Winter Festival Without Walls", The Wall Street Journal, February 4, 2005
- Dollar, Steve. "Taking a spin around Times Square's signs", Newsday, January 30, 2005
- Gaddy, James. "Spin Zone". print Magazine, March/April 2005
- Harris, Jane. “Christine Hill.” The Village Voice, February 23 – March 1, 2005, p. c40.
- Hill, Christine. “Artists on Artists: Christine Hill on Danica Phelps.” BOMB no. 91 (Spring 2005): 14 15.
- Sicha, Choire. “The Guide.” The New York Times, Sunday, January 16, 2005, p. AR 33.
- Smith, Robert. "Art Project Decodes Ads in Times Square", NPR Weekend Edition, January 23, 2005.
- "Up and Coming". Metropolis Magazine, April 2005

2004
- Nichols, Matthew Guy. "Christine Hill at Ronald Feldman." Art in America, no. 3 (March 2004): 120- 121.
- Robertson, Tracee W. "The DIY Patron: An Interview with Christine Hill." ARTL!ES 41 (Winter 2003-2004): 28-31.
- Sholis, Brian. ""Have a Seat in Christine Hill's Office/Exhibition." Work Magazine Issue 1 (Fall 2004): 16-17)

2003
- Carrier, David. “Christine Hill.” Artforum XLI, no. 10 (Summer 2003): 193.
- Chambers, Kristin. “How to Make a Talk Show.” Angle 1 no. 2 (April 2003): 10-12.
- Chambers, Kristin. “How to Make a Talk Show: An Interview with Christine Hill.” Angle Magazine, July 2003. http://www.anglemagazine.org/index.asp
- “Christine Hill: Home Office.” Salon.com.
- Hagan, Joe. “The Lying Game.” The New York Observer, January 6, 2003. p. 15.
- Johnson, Ken. “Christine Hill.” The New York Times, October 31, 2003, p. E41.
- Lebeau, Eleanor. “Her Show of Shows: Talk-host Wannabe Christine Hill Dabbles in
- Conan O’Brienism.” http://www.clevescene.com/issues/2003-0402/art.html/1/index.html Levin, Kim. - “Christine Hill.” The Village Voice, October 15-21, 2003, p. 95.
- McMullen, Troy. “Berlin Says ‘Hallo’ to New York Artists.” The New York Sun, August
29-31, 2003, p. 19.
- Needleman, Jennifer. “Volksboutique Makes Art From Business as Usual.” Brooklyn
Free Press 1, no. 44 (October 24 – 30, 2003): 9 & 11.
- Tranberg, Dan. “MOCA exhibit’s TV studio-office, Pilot, details work as art.” The Plain Dealer, March 28, 2003.
- Waxman, Lori. “Ameri©an Dre@m : A Survey.” Parachute 111July/August/September
2003, p. 6-7.

2002
- Oliver Bennett: The quality of Mersey. Observer, September 15, 2002.
- Christine Hill. Flash Art, vol. 34, no. 224, May - June 2002: p. 117.
- Christine Hill. Kreuzer, March 2002.
- Chris Cobb: Bay Area Now 3. Flash Art vol. 34, no. 226, October 2002: p. 41.
- Sönke Gau: Volksboutique Organizational Ventures: Christine Hill. Camera Austria International, no. 78, 2002: pp. 93.
- Tony Godfrey: Liverpool Biennial. The Burlington Magazine, November 2002.
- Vera Görgen. Inszenierte Dienstleistung. Financial Times, January 30, 2002.
- Joe Hagen: Lost in [Office] Space. The New York Observer, August 19, 2002: p. 2.
- Glen Helfand: Touch: Relational Art from the 1990s to Now. Artforum.com, November 2002.
- Andreas Höll: Lob der Dienstleistung. Süddeutsche Zeitung, February 6, 2002.
- Günter Kowa: Womit, bitte, kann ich dienen? Mitteldeutsche Zeitung, February 20, 2002.
- Liverpool Biennial. Art Monthly, November 2002: pp. 38.
- Liverpool Biennial. Tema Celeste, vol. XIX, no. 93, September/ October 2002: p. 112.
- Gunnar Luetzow: Volksboutique. Die Zeit, no. 8, February 14, 2002.
- migros museum. Tema Celeste, no. 89, January/February 2002: p. 114.
- Adrian Searle: Spin City. The Guardian, September 20, 2002: p. G2.
- Adrian Searle: Spin City. The Guardian, Thursday, September 19, 2002. http://www.guaradian.co.uk/arts/fea-tures/story/0,11710,794592,00.html
- Service-Ideen. Das Magazin, March 2002.
- Caroline Smith: Second Coming. Royal Academy Magazine, no. 76, Autumn 2002.

2001
- Alltagswelt in der Volksboutique. Wolfsburg, June 2001.
- Art contemporain à Zurich: Faites vos jeux... La Liberté, November 24, 2001.
- Ausstellungen: Christine Hill & Costa Vece. Neue Zürcher Zeitung, November 15, 2001.
- Christine Hill. Produkte aus der Volksboutique. Wolfsburger Allgemeine, April 26, 2001.
- Christine Hill: Volksboutique, Tourguide und Masseurin. Wolfsburger Allgemeine, May 17, 2001.
- Richard Cork: Richard Cork's choice: Urban Nomads. The Times, August 11 - 17, 2001.
- Costa Vece und Christine Hill in Zürich: Ein Piratenschiff strandet im Museum. Schweizer Illustrierte, December 24, 2001.
- Die Handtasche wird zum Kunstobjekt. Wolfsburger Nachrichten, May 17, 2001.
- Die Kunst ist eine Baustelle. Metropol, November 12, 2001.
- Lilith Frey: Die Kunst steckt im Arbeitsprozess. Blick, November 12, 2001.
- Fotos und allerlei... Zürichsee-Zeitung, November 14, 2001; Anzeiger von Uster, November 16, 2001; Bündner Tagblatt, November 13, 2001; Werdenberger & Obertoggenburger, November 12, 2001.
- Giovanni Garcia-Fenech: Volksboutique Hits The Road. artforum.com, May 9, 2001, www.artforum.com.
- Sibylle Hahner: Gefühlswelt in die Kunst eingebracht. Die Südostschweiz, November 12, 2001; Aargauer Zeitung, November 15, 2001.
- Michael von Kaiser: Das wichtigste Exponat fehlt. Braunschweiger Zeitung, May 31, 2001.
- Kunst: Baustelle. Züritipp, November 11, 2001.
- Leben als Teil eines Kunstwerkes. Metropol, December 10, 2001.
- Elisabeth Morse: Urban Outfitter. ARTnews 100, no. 1, January 2001: pp. 52.
- Daniele Muscionico: Der stille Zorn des Costa Vece: Rein Wolfs Adieu im migros museum mit Vece und Hill. Neue Zürcher Zeitung, November 29, 2001.
- Sascha Renner: Unternehmensorganisation als Kunstwerk. Tages Anzeiger, November 16, 2001.
- Rückblick und Volksboutique. Linth Zeitung, Zürichsee-Zeitung, Sihltaler, November 9, 2001.
- Irene Schertenleib: migros museum Zürich: Alltagsbrot im Kunstladen. Berner Oberländer, Berner Zeitung BZ, Solothurner Tagblatt, Thuner Tagblatt, November 9, 2001.
- Ursula Badrutt Schoch: Im Museum gestrandet. Der Toggenburger, Das Rheintaler Tagblatt, Appenzeller Zeitung, Wiler Zeitung, Volksfreund, December 10, 2001.
- Rainer Stange: Christine Hill im migros museum. Kunst-Bulletin, no. 12, December 2001: p. 51.
- Trainings-Video: Wie funktioniert die Volksboutique? Wolfsburger Allgemeine, July 17, 2001.
- Volksboutique: Ein Raum der unendlichen Möglichkeiten. Wolfsburger Allgemeine, May 19, 2001.
- Volksboutique ist prima: Ein Videodreh im Supermarkt. Wolfsburger Allgemeine, July 20, 2001.
- Michael West: Im Museum Gestrandet. Brückenbauer, December 11, 2001.
- Karl Wust: Ein grosser Umbruch mit Schiffbruch. Limmattaler Tagblatt, November 10, 2001; Die Südostschweiz, November 12, 2001; Zürichsee-Zeitung, November 14, 2001; Der Zürcher Oberländer, November 16, 2001.

2000
- Best Confusion of Art and Life. New York Press, September 27 - October 3, 2000: p. 174.
- C. Carr: The Avant-Late Show: Christine Hill Tapes Her Own TV Pilot, For Art's Sake. Village Voice XLV, no. 41, October 17, 2000: p. 59.
- Casting für Kunst. WAZ, July 15, 2000.
- Christine Hill: In Berlin habe ich einen Bau-Container als Büro. WAZ, June 23, 2000.
- Christine Hills Volksboutique. Wolfsburger Nachrichten, August 30, 2000.
- Christine Hill. The New Yorker, September 25, 2000: p. 14.
- Christine Hill. Time Out New York, August 31 - September 7, 2000: p. 58.
- Heather Felty: Christine Hill. Flash Art XXXIII, no. 215, November - December 2000: pp. 107.
- Donald Goddard: Christine Hill: Pilot. newyorkartworld.com, October 3, 2000, www.newyorkartworld.com.
- Peter Herbstreuth: Christine Hill. Kunstforum, April/June, 2000: pp. 361.
- Hans-Adelbert von Karweik: Volksboutique erwartet Bewerber ohne Laufsteg-Ausbildung. Wolfsburger Nachrichten, June 24, 2000.
- Kim Levin: Christine Hill. Village Voice, September 19, 2000: p. 95.
- Kim Levin: Christine Hill. Village Voice, September 26, 2000: p. 90.
- Gunnar Leutzow: Leben als Performance. Berliner Morgenpost.
- Barbara A. MacAdam: Pilot Program. ARTnews 99, no. 9, October 2000: p. 36.
- Mit Wolfsburg assoziiert Hill Kleidung. Wolfsburger Nachrichten, July 12, 2000.
- Matt Muro: Christine Hill: Pilot. newyorktoday.com, September 27, 2000, www.nytoday.com/scripts.
- Noch Wolfsburger für Modenschau gesucht. WAZ, September 6, 2000.
- Patricia C. Phillips: Approaches To A Path. Public Art Review 12, no. 1, Fall/ Winter 2000: pp. 13.
- Laura Schleussner: Swimming in Berlin. LINK, January 2000.
- Tipp des Tages. Wolfsburger Nachrichten, September 5, 2000.
- Volksboutique in Wolfsburg. WAZ, June 23, 2000.
- Women paint a new picture. Lufthansa Magazin, April 2000: pp. 7 [cover].

1999
- Robert Ayers: Christine Hill, Tourguide? Contemporary Visual Arts, October 25, 1999: p. 64.
- Bower J. Bell: Sampling. Review, June 15, 1999: pp. 41.
- Julie Caniglia: Sampling. Sidewalk NewYork.com, June 24, 1999.
- Susan Canning: Sampling. Art papers, no. 23, November/December, 1999: p. 50.
- C. Carr: Art et [Cottage] Industrie. Village Voice, July 6, 1999: p. 61.
- Holland Cotter: Sampling. New York Times, June 18, 1999.
- Robert Cwiklik. Lost in Manhattan. The Wall Street Journal, August 13, 1999: Section W10.
- Amy Eddings: Tourguide? WNYC Feature. Broadcast on July 16, 1999
- Anne Erfle: Quatschen im Dienste der Kunst. Süddeutsche Zeitung, October 25, 1999: p. 22.
- Victoria Hanks: Sampling. NY Arts, July/ August 1999: p. 78.
- Paul Laster: Brooklyn Spice. Artnet. com magazine, www.artnet.com, September 1999.
- Kim Levin: Art Short List- Christine Hill. Village Voice, July 20, 1999: p. 78.
- Kim Levin: Art Short List- Sampling. Village Voice, June 22, 1999: p. 78.
- NY Arts Curator's Choice. NY Arts, 4.7 [July/ August 1999]: pp. 39.
- Odd Spots on Tour. New York Times, July 4, 1999: City Section, p. 12.
- Manuela Pavesi: Berlin! L'Uomo Vogue, April 1999: p. 184.
- Redaktion, Leben. Big präsentiert... Die Zeit, September 9, 1999.
- Martha Schwendener: Sampling.Time Out New York, July 1 - 8, 1999: p. 56.
- Sue Spaid: Christine Hill. New art examiner, November 1999: p. 47.
- Valerie Stivers: The Accidental Tourguide. Time Out New York, July 1 - 8, 1999: p. 47.
- Tourguide? Time Out New York, June 23 - 30, 1999: p. 70.

1998
- Artist Interview 2: Christine Hill. Monthly Art Magazine Bijutsu Techno, 50.764 [December 1998]: pp. 125.
- Janet A. Kaplan: Christine Hill's Volksboutique. Art Journal, Summer 1998: pp. 38.
- Pierangelo Maset: Rückblick auf die Volksboutique. June 1998.
- Barry Schwabsky: Businesslike. Art/ text, November 1998: pp. 74.
- Edward Stern: Exhibition Review-Make Yourself at Home... Asahi Evening News, October 8, 1998.
- Michael Thouber: On Christine Hill. Artmagazine 1%, Summer 1998: pp. 63.
- Johannes Wendland: Das Soziale kehrt zurück. Kultur & Gesellschaft, December 11, 1998.
- Johannes Wendland: Die Dienstleisterin. Deutsches Allgemeines Sonntagsblatt 50, December 11, 1998.
- Krystian Woznicki: Living inside and outside the room. The Japan Times, September 13, 1998.

1997
- documenta archiv: Collected Press of documenta X.
- Peter Herbstreuth: Verkaufen macht unabhängig. Der Tagespiegel, September 1997 [portrait].
- Thomas Kliemann: Kunst im Sonderangebot. Stadt Nürnberg.
- Kim Levin: Not the UN. The Village Voice, July 22, 1997.
- Renate Schumann: Auch das ist Kunst: Mode aus dem Second-Hand Shop. Berliner Zeitung, August 4, 1997.
- Dieter Schwerdtle: documenta X: ein Foto-Rundgang. Kunstforum, September - November 1997: pp. 136.
- Ann Lloyd Wilson: Transactions. Sculpture Magazine, November 1997: pp. 28.

1996
- Oder einfach Tee Trinken. Spiegel Special: Kunst, December 1996: p. 58.
- Barbara Steiner: Being a Tourist in Society. Documents, Summer 1996: pp. 118.

1995
- Jürg Bürgi: Nimm Mich! Spiegel Extra, August 8, 1995: pp. 4.
- Harald Fricke: Der zur Kunst erklärte Schleichweg. Die Tageszeitung, April 8/9, 1995.
- Peter Herbstreuth: Masseuse, Schuhputzerin, Künstlerin. Der Tagespiegel, April 11, 1995.
- Peter Herbstreuth: Christine Hill. Flash Art, September 1995: p. 132.

1994
- Pauline Daly: Interview with Christine Hill. Purple Prose, Summer 1994: pp. 84.


©
Thank you for your interest in this work.
Christine Hill is represented by Ronald Feldman Fine Arts in New York
and Galerie EIGEN+ART in Berlin.